My dad and I are making poems, but I just can't figure out how to start my poem! Hopefully some of you guys can help me! I want the poem to do something funny with turkeys. Not that boring old stuff you see old people reading, anyways remember: funny
You could make it about you getting ready to cook the turkey but all the sudden it comes to life and starts running around..yeah it's far fetched but it could be funny I think
The Poem The Fire Starters As Presented during th the BlogTV Show.
-Based movie would be hobbit-free, and hobbits shift units and sell tickets. Me, I tolerate rather than love them, although I would never go as far as Michael Moorcock, who quipped of Sauron, “Anyone who hates hobbits can’t be all bad,” or the younger Charles Saunders, who once expressed (he has since mellowed) a profound relief that there were no black hobbits. Admiration and affection for Bilbo, Frodo, Sam, Merry, and Pippin I have aplenty; I just don’t love hobbits qua back in 1971. Some of the posts at Tolkien-oriented and other genre sites reflect apprehension that Guillermo del Toro and Peter Jackson will “spectacularize” or “bombastify” the source material, inflate a children’s classic into a swollen epic, and such protectiveness is laudable, but barring an Eternal Sunshine of the Spotless Mind .
Del Toro and Jackson are both sometime horrormeisters, and can be expected to seize upon non-kid-lit moments like the orc-head impaled on Beorn’s gate and the warg-skin nailed to a nearby tree after the shapeshifter’s night reconnaissance. The “creaking and hissing” of the Mirkwood spiders as they gloat over their captives is right up del Toro’s alley as well: “What nasty thick skins they have to be sure, but I’ll wager there is good juice inside.” Do spiders have lips? If so, the words “good juice inside” should be pronounced with lipsmacking relish.
And given the blockbuster imperative of more is more is doughty in defense of the narrator’s voice as “an essential element in establishing the tone of the story and hence of the book’s success,” one that makes the narrator himself, both playful and at pains to capture and retain the attention of the children who in effect are listening to him, “one of the most important characters in the tale.” But he won’t...